Antar is sent by Suleiman, head of the Ottoman Empire, to Bagdad to prevent Hammam, Pasha of Bagdad, from purchasing the services of local leader Mustapha to unite the hill tribes and overthrow the emperor. The intrigue mounts as Antar falls in love with dancer Selima, who tries to avenge her father's death against Hammam's right-hand-man Kasseim, whose wife Rosanna has fallen in love with Antar!

An Indian fakir's magic rope falls in love with the Pink Panther's tail. (Reissue of "The Pink of Arabee" 1976).

The Thief of Bagdad is as bright as an Eastern robe and as sweet as tahini halva. It soars in dance, immerses itself in music, and dies from laughter. At the time, when work on the play began, no one could have guessed that this charming, captivating trifle, based on a famous Eastern story, would play a significant role in the life of the theatre and its actors.

Russell's composer biopics were usually labours of love. However, this was the opposite: Russell regarded the music of Richard Strauss 'bombastic, sham and hollow', and despised the composer for claiming to be apolitical while cosying up to the Nazi regime. Strauss is depicted in a variety of grotesquely caricatured situations: attacked by nuns after adopting Nietzsche's philosophy, duels with jealous husbands, literally batters his critics into submission with his music, and glorifies the women in his life and fantasies.

Director Richard Quine's 1953 adventure comedy about a magician's efforts to rescue a dancing princess stars Patricia Medina, Paul Henreid, Hans Conried, Laurette Luez and Michael Fox.

A story about a Jewish girl and a Palestinian guy on their wedding day. But this is not a standard Romeo & Juliet story of forbidden love - there is much more than meets the eye.

King Herod is enchanted by Salome's dance and grants her wish for the head of John the Baptist.

A caliph imprisons the cobbler's son his daughter has fallen in love with, but the cobbler's discovery of a treasure cave may be the key to freeing his son.

An Arab sheik's daughter (Maureen O'Hara) avenges his death, blamed on Hassan (Paul Christian) and his Black Riders.

Horace Wadsworth (played by Guy Oliver), one of a gang of criminals also planning a bank robbery in New York, steals the titular prayer rug from its Baghdad mosque. He sells the carpet to antique dealer George Jones (Wheeler Oakman) to fund the robbery scheme. But the theft places both men and Fortune Chedsoye (Kathlyn Williams), the innocent daughter of another conspirator, in danger from the carpet's guardian.